Midnight Minaret
Deep indigo · gold leaf
A night-sky counterpart to The Sacred Garden: indigo gradients, gilded geometry and a constellation reveal.
- Constellation intro
- Gilded geometry
The collection
Each design is a complete guest experience — the envelope, the story, the schedule, the RSVP. Open one and it behaves exactly as it would on the day you send it.
4 designs ready3 in design

Arabic · watercolour florals
A wax-sealed envelope opens into a cream garden of torn parchment, gold Nastaliq calligraphy and hand-painted peonies. Right-to-left Arabic throughout, scored and paced like a real invitation.

Arabic · Palestinian tatreez
A henna night set as the chest panel of an embroidered thobe. The top band sews itself on load, cypress selvedges run down both edges, and the whole page sits on an 8px cross-stitch grid. Sister to The Sacred Garden: same paper, ink and oxblood, different embroidery.
Arabic · kufiya & khayamiya
The men's wedding lunch, set inside a بيت شعر. A shemagh drapes over the entrance on load, a gold khayamiya sun turns once every four minutes behind the invitation, and the page steps out into daylight for the mansaf before the footer takes you back in. Third of the set: same paper, ink and oxblood as the other two — flowers, thread, tent.
Arabic · engraved stationery
A formal men's-lunch invitation, reproduced as the printed card it was: one tall ivory column on linen, gilt rules down both edges, and antique gold as the only colour on the page. A single pass of gold foil crosses دَعْوَة on load and the engraving is drawn on line by line. No RSVP — the card stands alone.
Deep indigo · gold leaf
A night-sky counterpart to The Sacred Garden: indigo gradients, gilded geometry and a constellation reveal.
Art deco · monoline
Sharp deco rules, a monoline monogram and a stepped-arch frame for couples who want something graphic rather than painted.
Blush minimal · type-led
Almost no ornament — generous whitespace, one blush wash and typography doing all of the work.